This blog devotes a lot of digital real-estate to cool experiments on art and artifacts that are non-invasive, or at least minimally so.
So I’ve got to admit that I was not particularly overwhelmed by the breathless reports last week in a myriad of media about a project to drill 14 holes into a Vasari painting in order to search for a possibly hidden da Vinci below.
The articles were subsequent to a press release by National Geographic on March 12, which was presumably trying to raise interest in a documentary about the project airing a few days later (March 18).
Yesterday the well-respected Art-Info published an interesting take-down of the drilling project, entitled “The Search for the Lost Da Vinci Fresco: Serious Science or Irresponsible Hype?”
The piece pointed to a protest-petition against the project signed by 530 members of the museum community, including high-profile curators at the Met and the Louvre.
According to the Art-Info article, none of these critical folks got face-time in the National Geographic Channel documentary. This is how the writer Kate Deimling put it:
The Art-Info piece also voices criticism from the conservation science community, namely that the pigments detected by the drilling project might be from brick instead of paint.
Another criticism is that non-invasive analytical equipment (such as newer radar technologies) should be used instead of destructive drilling.
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